- Steven slate drums 4 hi hat mapping full#
- Steven slate drums 4 hi hat mapping plus#
- Steven slate drums 4 hi hat mapping professional#
I created a new Drummer track, then swapped out the Drum Kit Designer instrument for “SSDSampler5” in the instrument menu. Just for fun, I thought I’d see if I could get Logic’s Drummer to play SSD5.5 and it was pretty easy. Not being a drummer myself, I can’t speak to the experience of using SSD5.5 with an electronic kit, though I can say that after watching some demos online, I’d be hard-pressed to tell the difference between an SSD5.5 track created with one and a well-recorded acoustic kit. The grooves have a very live and dynamic feel, making them a great way to audition the various kits. Pop and rock styles are particularly well represented, but the selection includes country, funk, jazz, metal, punk, RnB, and soul, with each song selection offering plenty of intros, fills, variations and outros to keep things sounding fresh.
Steven slate drums 4 hi hat mapping professional#
If you prefer a professional studio drummer’s playing to your own, SSD 5.5 comes with over 2,400 MIDI grooves with a groove browser incorporated into the plugin making it easy to audition grooves before dragging and dropping them into your DAW. The only downside was being limited to 16 pads at a time – and maybe my poor timing, though that’s hardly Steven Slate’s fault. Though the keyboard is my go-to input method as a rule, the responsiveness of the instrument inspired me to switch to a pad controller. For my first test, I pulled the drums out of a multitrack funk recording and found a factory kit to suit the track (Jazzy Jerry from the SSD 5.5 Designer collection), made some small tweaks to the room mic balance in the mixer, and started playing along. The overall sound quality of the samples is superb.
Steven slate drums 4 hi hat mapping full#
SSD5.5 supports multi-channel output with up to 16 stereo and 16 mono outputs (though not all will DAWs support the full track count). This is really a fantastic amount of control to have over your virtual kits, and it gives you an opportunity to create your own sound, whether you’re creating your own kit from scratch, mixing and matching, or just making minor tweaks to one of the many factory supplied kits.
You can then create the perfect balance for your creation using the built-in mixer, where you can further adjust the overall volume, pan and phase of the instrument as well as the overhead and room mics, and even control the amount of kick and tom bleed into the snare bottom mic with the SLR channel. Each mic also gets routed through an ADSR envelope for subtle transient tweaking or dramatic sound sculpting.
Steven slate drums 4 hi hat mapping plus#
SSD 5 kits from the 5.0 release are included as well, including a variety of rock, vintage, indie, jazz, country, funk and reggae kits, plus a handful of electronic kits to ensure all your bases are covered.Įach drum instrument is fully editable with individual volume, tuning, phase, dynamics and velocity controls, plus volume and pan for each individual mic, including top/bottom/front/back where applicable as well as overhead and room mics. The SSD 5.5 Designer collection features 13 kits ranging from genre-specific DnB, metal and jazz to the room-filling Zeppy kit. The kits themselves offer a wide variety of sounds and styles to choose from.
You can even add your own samples if the need arises, though velocity switching, round robin alts, and certain mapping features are not available for non-SSD samples. Sounds can be mapped across the entire MIDI note range in a variety of ways, including categorized menus, drag and drop, and MIDI learn. The kits in SSD5.5 are fully editable and can be reconfigured and reconstructed, or created from scratch from individual instruments as the mood strikes you. If you feel your next track needs a Steve Gadd-inspired “Late in the Evening” groove, you’re ready to roll. I never thought about how various toms would have their own unique rim click sound, but in retrospect of course they would. A generous amount of round-robin alternates keep everything sounding live and natural, so even single-stroke rolls don’t fall prey to the “machine gun effect.”Īlso included are a unique assortment of additional hits and articulations including chokes for individual cymbals, MIDI CC-controllable hi-hat decay (ideal for electronic kit players) and shell-specific rim clicks. Up to 24 velocity layers per instrument create a smooth and seamless velocity response. Snares and kicks are mic’d top and bottom/front and back respectively for added control when mixing. SSD5.5 starts with an impressive instrument list: 148 drum kit presets, 135 snares, 112 kick drums, 58 toms, and a variety of hi-hats, cymbals and percussion hits – over 400 instruments in total.
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